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Source : Hypotheses.org

‘Collectionner la révolution française’, 23rd-25th September 2015, Grenoble and Domaine de Vizille, Musée de la Révolution française

Astbury, Katherine (19 oct. 2015)

Collections of objects from the French Revolution were the topic of discussion, as a modern-day collection of French Revolutionary scholars gathered in Grenoble and then at the Musée de la Révolution française in Vizille, nestled in the Alps. A blog space is far too short to give this fantastic ...

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Source : Hypotheses.org

Journées doctorales, Réseaux politiques et culturels européens sous la Révolution et l’Empire, 30-31st March 2015

Astbury, Katherine (5 avr. 2015)

At the end of March we travelled to Clermont-Ferrand to attend an excellent doctoral event, hosted by Philippe Bourdin and Cyril Triolaire (CHEC, Université Blaise Pascal) before two days working on the Therepsicore project on French theatre in the provinces 1791-1813. In attendance were British ...

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Source : Hypotheses.org

The actress in France and Britain in the 19th century

Astbury, Katherine (19 nov. 2014)

On the 4th November 2014 the Sorbonne’s Theatre Studies research seminar PRITEPS (Programme de recherches interdisciplinaires sur le théâtre et les pratiques scéniques) held its first general seminar of the academic year on the subject of the actress. The two speakers were Florence Filippi, who ...

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Source : Hypotheses.org

French Revolutionary doctoral workshop (1789-1830), June 2014

Astbury, Katherine (4 juil. 2014)

Clare Siviter, one of the project team, organised an extremely successful doctoral training day on Wednesday. In the morning, 9 PhD students from French studies to History of Art to Music presented their doctoral research. A number of themes and issues emerged as common to the different projects. ...

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Source : Hypotheses.org

French Theatre of the Napoleonic Era

Astbury, Katherine (22 avr. 2014)

The purpose of this blog is to chart progress on an AHRC-funded research project based at the University of Warwick entitled ‘French Theatre of the Napoleonic Era’. The project is being run by Dr Katherine Astbury (French Studies) and the team is made up of Dr Katherine Hambridge, who is a ...

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Source : Hypotheses.org

Napoleon's theatre legislation of 1806 in the provinces

Astbury, Katherine (1 mai 2014)

In March 2014, the Napoleonic theatre team held a workshop with Cyril Triolaire (Theatre Studies, University of Clermont-Ferrand). Cyril offered us an overview of the work of the Therepsicore project (led by Professor Philippe Bourdin - see http://chec.univ-bpclermont.fr/article143.html ), which for ...

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Source : Hypotheses.org

Prisoner of War theatricals at Portchester castle

Astbury, Katherine (5 nov. 2014)

On 27 October 2014, Project Investigator Kate Astbury and PhD student Devon Cox went to Portchester Castle (English Heritage) to find out more about the prisoners of war held their during the Napoleonic wars. The prisoners performed theatre in the basement of the keep,. Locals came to watch ...

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Source : Hypotheses.org

Napoleonic theatre and the body

Astbury, Katherine (21 avr. 2016)

Society of Dix-neuviémistes annual conference, Paris April 2016 Three members of the French Theatre of the Napoleonic era ran a panel on Napoleonic theatre and the body at the SDN annual conference last week. The panel aimed to strip away some of the assumptions about aesthetic production of the ...

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Source : Hypotheses.org

Revolutionary researchers: the transnational

Astbury, Katherine (5 avr. 2015)

The theme of this second reading group, led by Clare Siviter, was ‘France and the Transnational’, leaving the definition of ‘transnational’ intentionally broad to encourage the discussion of ideas and themes which might reach beyond the obvious issue of sovereign boundaries. The reading— ...

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Source : Hypotheses.org

Melodrama workshop

Astbury, Katherine (7 mai 2014)

In March 2014, the AHRC-funded ‘French Theatre of the Napoleonic Era’ and the ERC- funded ‘Music in London’ projects co-organised a conference on European stage melodrama c. 1800 at King’s College, London, entitled ‘The Melodramatic Moment, 1790-1820’. As a prelude to the academic ...

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